
1806–1807
Notwithstanding its ostensibly domestic theme, there is something slightly sinister in Fuseli’s rendering of a mother and her family, a study for a painting. The younger woman dangles a butterfly above the infant as if it were a toy, her menacing hairpin in frightening proximity to both insect and child. The seated woman presents the infant as if he were a sacrificial offering, and the fetishistic attention Fuseli pays to hair and dress strikes a disarmingly discordant note.