
1943–1944
Chicago artist Ivan Albright executed this grisly work for the 1945 movie adaptation of Oscar Wilde’s 1891 novel The Picture of Dorian Gray. In Wilde’s tale, a portrait of the young and attractive Gray decays as the protagonist leads an increasingly wayward life, recording the extent of his moral corruption in paint. Having established a reputation for capturing the macabre, Albright was the ideal choice to create such a horrific image that both attracts and repulses its viewers. The portrait appeared in vivid Technicolor, within the otherwise black-and-white film, causing a sensation. When Albright’s canvas was exhibited at the Art Institute later that year, the Chicago Tribune reported that the museum “is having a heck of a time handling the crowds flocking to see his painting.”