
1570–1600
In this work the oval format has been utilized to show Christ emerging triumphantly from the jaws of Hell, rendered in a style akin to that of Hieronymus Bosch—the eyes of the gaping beast curl out from two sinuous monsters biting their own tails. Bannered staff in hand, Christ reaches toward a few of the worthy souls sequestered in Limbo until his Resurrection while avoiding the hovering demons above and lurking below.