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Boatman and Passenger, Fuji Beyond by Totoya Hokkei — VisualArtsDB

Boatman and Passenger, Fuji Beyond

Boatman and Passenger, Fuji Beyond

1801–1850

Medium: Color woodblock print; surimono
Dimensions: 19.3 × 17.5 cm (7 5/8 × 6 15/16 in.)
Genre: woodblock print
Museum: Art Institute of Chicago

Tags

printasian artwoodblock print

More by Totoya Hokkei

Figure of a Woman

Figure of a Woman

Totoya Hokkei, 1780

Women Reading a Stele Inscription, from the series the "Twelve Shrines at Yotsuya (Yotsuya juni so)"

Women Reading a Stele Inscription, from the series the "Twelve Shrines at Yotsuya (Yotsuya juni so)"

Totoya Hokkei, 1801

Eboshi (a court hat)

Eboshi (a court hat)

Totoya Hokkei, 1780

Amanohashidate: Koshikibu no Naishi, No. 2 from "Three Famous Scenes (Sankei no uchi: Sono ni)"

Amanohashidate: Koshikibu no Naishi, No. 2 from "Three Famous Scenes (Sankei no uchi: Sono ni)"

Totoya Hokkei, 1828

Clear autumn sky over a mountain temple, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)"

Clear autumn sky over a mountain temple, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)"

Totoya Hokkei, 1825

Nobleman playing flute, from the series "Essays in Idleness (Tsurezuregusa)"

Nobleman playing flute, from the series "Essays in Idleness (Tsurezuregusa)"

Totoya Hokkei, 1830

Wine-Cup and Fan

Wine-Cup and Fan

Totoya Hokkei, 1800

Dragon in the clouds

Dragon in the clouds

Totoya Hokkei, 1832

Tea House and Fishing Farm by the Grand View of Kanto

Tea House and Fishing Farm by the Grand View of Kanto

Totoya Hokkei, 1801

Courtesan sitting on a veranda next to a lantern

Courtesan sitting on a veranda next to a lantern

Totoya Hokkei, 1814

It is good to cut one's fingernails (Tsume tori yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)"

It is good to cut one's fingernails (Tsume tori yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)"

Totoya Hokkei, 1817

Children Playing Tug of War

Children Playing Tug of War

Totoya Hokkei, 1801