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Bottle with a goldfish design by Totoya Hokkei — VisualArtsDB

Bottle with a goldfish design

Bottle with a goldfish design

1826–1829

Medium: Color woodblock print; shikishiban, surimono
Dimensions: 20.5 × 18 cm (8 1/8 × 7 1/8 in.)
Genre: woodblock print
Museum: Art Institute of Chicago

Styles

Japanese (culture or style)

Tags

printasian artJapanese (culture or style)woodblock print

More by Totoya Hokkei

Eboshi (a court hat)

Eboshi (a court hat)

Totoya Hokkei, 1780

Cock on Drum

Cock on Drum

Totoya Hokkei, 1815

Rokugo, from the series "A Record of a Journey to Enoshima, A Set of Sixteen (Enoshima kiko, jurokugban tsuzuki)"

Rokugo, from the series "A Record of a Journey to Enoshima, A Set of Sixteen (Enoshima kiko, jurokugban tsuzuki)"

Totoya Hokkei, 1833

Mount Satta in Suruga Province (Suruga Sattayama), from the series "Famous Places in the Provinces (Shokoku meisho)"

Mount Satta in Suruga Province (Suruga Sattayama), from the series "Famous Places in the Provinces (Shokoku meisho)"

Totoya Hokkei, 1825

Oniwakamaru subduing the giant carp

Oniwakamaru subduing the giant carp

Totoya Hokkei, 1825

A Lady Visiting a Shrine Followed by a Boy with Kite

A Lady Visiting a Shrine Followed by a Boy with Kite

Totoya Hokkei, 1822

Shinto priest performing the seaweed-gathering ritual

Shinto priest performing the seaweed-gathering ritual

Totoya Hokkei, 1830

Takenouchi no Sukune carrying the Emperor Ojin

Takenouchi no Sukune carrying the Emperor Ojin

Totoya Hokkei, 1825

Shiei (?) on His Carp

Shiei (?) on His Carp

Totoya Hokkei, 1780

Sarutahiko, No. 2 (Sono ni) from the series "The Boulder Door of Spring (Haru no iwato)"

Sarutahiko, No. 2 (Sono ni) from the series "The Boulder Door of Spring (Haru no iwato)"

Totoya Hokkei, 1820

Morning Worship of Shinto Ceremony

Morning Worship of Shinto Ceremony

Totoya Hokkei, 1801

Two dolls and a brocade bag, from the series "Clothing, Food, and Shelter (Ishokuju no uchi)"

Two dolls and a brocade bag, from the series "Clothing, Food, and Shelter (Ishokuju no uchi)"

Totoya Hokkei, 1818