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Frontispiece for Chevaleries sentimentales by Ferdinand Hérold by Odilon Redon — VisualArtsDB

Frontispiece for Chevaleries sentimentales by Ferdinand Hérold

Frontispiece for Chevaleries sentimentales by Ferdinand Hérold

1893

Medium: Lithograph printed in dark green on ivory China paper laid down on ivory wove paper
Dimensions: Image/chine: 13.6 × 8.2 cm (5 3/8 × 3 1/4 in.); Sheet: 28.3 × 20 cm (11 3/16 × 7 7/8 in.)
Genre: lithograph
Museum: Art Institute of Chicago

Tags

inkprintprints and drawingpaperpaper (fiber product)lithograph

More by Odilon Redon

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6

Odilon Redon, 1896

Cover for "La Nuit"

Cover for "La Nuit"

Odilon Redon, 1886

Sketches

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Odilon Redon, 1875

Ricardo Viñes

Ricardo Viñes

Odilon Redon, 1903

And On Every Side Are Columns of Basalt,...the Light Falls From the Vaulted Roof, plate 3 of 24

And On Every Side Are Columns of Basalt,...the Light Falls From the Vaulted Roof, plate 3 of 24

Odilon Redon, 1896

The Ford: Landscape with Horsemen

The Ford: Landscape with Horsemen

Odilon Redon, 1866

It was a Veil, an Imprint, plate 1 of 6

It was a Veil, an Imprint, plate 1 of 6

Odilon Redon, 1891

Pious Women

Pious Women

Odilon Redon, 1890

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10

Odilon Redon, 1888

Saint Anthony: "Beneath her long hair, which covered her face, I thought I recognized Ammonaria", plate 1 of 6

Saint Anthony: "Beneath her long hair, which covered her face, I thought I recognized Ammonaria", plate 1 of 6

Odilon Redon, 1889

The Shulamite

The Shulamite

Odilon Redon, 1897

When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from "Les Origines"

When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from "Les Origines"

Odilon Redon, 1883