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Frontispiece from Emile Verhaeren's Les Debacles by Odilon Redon — VisualArtsDB

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Lithograph
Frontispiece from Emile Verhaeren's Les Debacles

Frontispiece from Emile Verhaeren's Les Debacles

Frontispiece from Emile Verhaeren's Les Debacles

1889

Medium: Lithograph in black on ivory laid paper
Dimensions: Image: 14.2 × 9.7 cm (5 5/8 × 3 7/8 in.); Sheet: 33 × 24.8 cm (13 × 9 13/16 in.)
Genre: Lithograph
Museum: Art Institute of Chicago

Tags

inkprintprints and drawingpaperpaper (fiber product)lithograph

More by Odilon Redon

And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword, plate 1 of 12

And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword, plate 1 of 12

Odilon Redon, 1899

Sketchbook

Sketchbook

Odilon Redon, 1879

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

Odilon Redon, 1896

Saint Anthony: "Help Me, O My God!", plate 2 of 24

Saint Anthony: "Help Me, O My God!", plate 2 of 24

Odilon Redon, 1896

Obsession

Obsession

Odilon Redon, 1894

Immédiatement Surgissent Trois Déesses

Immédiatement Surgissent Trois Déesses

Odilon Redon, 1896

The Charger

The Charger

Odilon Redon, 1894

Spider

Spider

Odilon Redon, 1887

Il Tombe Dans L'Abime, La Tête En Bas

Il Tombe Dans L'Abime, La Tête En Bas

Odilon Redon, 1896

Fear

Fear

Odilon Redon, 1866

Sur le fond de nos nuits dieu de son doigt savant dessine un cauchemar multiforme et sans treve (On backdrop of our nights God with His knowing finger traces a multiform implacable nightmare)

Sur le fond de nos nuits dieu de son doigt savant dessine un cauchemar multiforme et sans treve (On backdrop of our nights God with His knowing finger traces a multiform implacable nightmare)

Odilon Redon, 1890

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24

Odilon Redon, 1896