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Sad Ascent, plate nine from In Dreams by Odilon Redon — VisualArtsDB

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Lithograph
Sad Ascent, plate nine from In Dreams

Sad Ascent, plate nine from In Dreams

Sad Ascent, plate nine from In Dreams

1879

Medium: Lithograph on mounted ivory China paper
Dimensions: 27 × 20 cm (10 11/16 × 7 7/8 in.)
Genre: Lithograph
Museum: Art Institute of Chicago

Tags

inkprintprints and drawingpaperpaper (fiber product)lithograph

More by Odilon Redon

Lumiere (Light)

Lumiere (Light)

Odilon Redon, 1893

Le Jour Enfin Parait,... Et Dans Le Disque Même Du Soleil, Rayonne La Face de Jésus-Christ

Le Jour Enfin Parait,... Et Dans Le Disque Même Du Soleil, Rayonne La Face de Jésus-Christ

Odilon Redon, 1896

Oannès: Moi, La Première Conscience Du Chaos, J'ai Surgi de L'Abime Pour Durcir la Matière, Pour Régler les Formes

Oannès: Moi, La Première Conscience Du Chaos, J'ai Surgi de L'Abime Pour Durcir la Matière, Pour Régler les Formes

Odilon Redon, 1896

And Bound Him a Thousand Years

And Bound Him a Thousand Years

Odilon Redon, 1899

Frontispiece for El Moghreb al Aksa by Edmond Picard

Frontispiece for El Moghreb al Aksa by Edmond Picard

Odilon Redon, 1889

Fear

Fear

Odilon Redon, 1866

The Shulamite

The Shulamite

Odilon Redon, 1897

Pierre Bonnard

Pierre Bonnard

Odilon Redon, 1902

And Bound Him a Thousand Years, plate 8 of 12

And Bound Him a Thousand Years, plate 8 of 12

Odilon Redon, 1899

Saint-Antoine...A travers ses longs cheveux qui lui couvraient la figure, j'ai cru reconnaitre Ammonaria (Saint Anthony: "Beneathe her long hair , which covered her face, I thought I recognized Ammonaria)

Saint-Antoine...A travers ses longs cheveux qui lui couvraient la figure, j'ai cru reconnaitre Ammonaria (Saint Anthony: "Beneathe her long hair , which covered her face, I thought I recognized Ammonaria)

Odilon Redon, 1889

La Vieille: Que Crains-tu? Un Large Trou Noir! Il Est Vide Peut-être?

La Vieille: Que Crains-tu? Un Large Trou Noir! Il Est Vide Peut-être?

Odilon Redon, 1896

Untitled Trial Lithograph

Untitled Trial Lithograph

Odilon Redon, 1900