
1927
Marin described Deer Isle as “a place of lovely spots and bad spots.” The joyful coloring here suggests that he delighted in this scene. Telephone poles dance over the rise alongside a zigzagging road, illustrating the artist’s consciousness of “the wonderful everlasting road a leading onward a dipping a rising a leading up over the hill to the sea beyond.” Two important variations in Marin’s approach to mounting and framing can be seen in this and the adjacent watercolor. He eschewed the gilded mounts he had previously favored, instead applying a very thin silver strip around the edge of the sheet and toning the outer margin with a coordinating watercolor wash.