
1938–1941
As it was illegal at the time to take pictures on the New York City subway, Walker Evans had to act stealthily while making this portrait. He hid a small 35mm Contax camera in his coat, the lens peeking out between the buttons, and snapped pictures of unsuspecting commuters. “My idea of what a portrait ought to be,” Evans wrote, was “anonymous and documentary and a straightforward picture of mankind.” Devoid of journalistic purpose or romantic sentimentality, Evans‘s subway portraits present a candid view of humanity within the modern urban environment.