Codex Espangliensis: From Columbus to the Border Patrol
Enrique Chagoya
1998
- Medium
- Accordion-folded illustrated book, letterpress printed in black and red from zinc photoengravings on Mexican amatl paper lined with Japanese shintengujo tissue; bound in a portfolio of amatl paper over board
- Dimensions
- Closed: 23 × 29.1 × 3 cm (9 1/16 × 11 1/2 × 1 3/16 in.); Extended: 23 × 921.5 cm (9 1/16 × 362 13/16 in.)
- Genre
- Artist's Book
- Museum
- Art Institute of Chicago
Styles
Tags
ink and color on paperred inkletterpressamericaspoliticalactivismillustrationaztecnorth americancartoonmexican americancolonialismartist's bookmayancolored inkcollagesblack inkletterpress printingComicsAmerica20th Centurybookink on paperHistory
About
Enrique Chagoya, Guillermo Gómez-Peña, and Felicia Rice published Codex Espangliensis: From Columbus to the Border Patrol in 1998 as a commentary on the border politics between the United States and Mexico. The book’s illustrations fuse pre-Hispanic graphics, postcolonial figures, and superheroes popular in US American culture. These images and accompanying text in Spanish and English challenge notions of historical erasure, US exceptionalism, and ethnocentrism that deeply impact border culture. Felicia Rice modeled the book’s physical composition––including its accordion-style binding, amatl paper, and abundant imagery––after the Aztec and Mayan recordkeeping codices that were destroyed by the Spanish following their conquest in Mexico. Both Gómez-Peña and Chagoya are known for their activism and for political art that uses culture as a lens through which to critique larger historical, sociopolitical issues. Codex Espangliensis is a project that resonates with their larger praxis.
