
1750
Hogarth frequently used an episodic format to depict an unsavory character’s descent into debauchery, and the four-print series Four Stages of Cruelty features the artist’s most sadistic villain, Tom Nero. After impregnating a lady’s maid and convincing her to steal from her mistress and run away with him, he murders her. In John Bell’s large-scale woodcut after Hogarth, Nero is apprehended as the dead body of his lover is discovered.