
Thomas Hart Benton first saw laborers cultivating cotton on a trip to Georgia in the late 1920s, and he returned to the subject in this painting in 1945. In Cotton Pickers, the artist rendered the figures with a sinuous, curvilinear style to articulate the exertion of their movement along the landscape. Cotton sharecropping, a system of tenant farming that developed after the Civil War, allowed landowners to rent land to poor farmers in return for a portion of the crops. Because the practice kept agricultural workers impoverished, it became a symbol of a racially and economically unjust system. Benton’s vision of modernism was firmly rooted in figuration. He often explored themes of US history, centering African Americans in those shared narratives.