
In this dynamic drawing, Utrecht-based Abraham Bloemaert created a thoughtful compositional study for this scene from the early life of Christ. Bloemaert described the Virgin and the attendant figures in the foreground with expressive gestures—fingers spread and arms outstretched into space as if in an attempt to stop the circumcision taking place before them. A mass of faintly sketched figures in the background suggests how Bloemaert might have realized the composition in his next phase of execution.