
1938
Johan Hagemeyer came to the United States from Holland in 1911. Already an amateur photographer, he went to New York to meet Alfred Stieglitz, who encouraged him to pursue a career in photography. By the early 1920s Hagemeyer had a thriving portrait business in San Francisco and Carmel, California. From the 1920s through the 1940s, his studio served as a meeting place for artists and intellectuals, many of whom stepped in front of his lens—including the Bulgarian pianist Antoinette Detcheva, photographed by Hagemeyer in several poses. Hagemeyer was a close friend of noted California photographer Edward Weston, but he disagreed with Weston on the importance of sharp definition in photography, continuing to use a shallow depth of field and soft focus into the 1940s, even when exploring modernist subject matter.