1761–1810
In the second state of this print, Pierre Lélu filled in the bare etched outlines of the first state with aquatint tone to heighten the sense of volume.
Pierre Lelu, 1781
Pierre Lelu, 1870
Pierre Lelu, 1761
Pierre Lelu, 1784
Pierre Lelu, 1763
Pierre Lelu, 1793
Pierre Lelu, 1741
Pierre Lelu, 1783