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Maria Lani by Georges Rouault — VisualArtsDB

Maria Lani

Maria Lani

Georges Rouault

1928

Medium: Black oil paint, gouache, and touches of gum on ivory wove paper
Dimensions: 44 × 32.4 cm (17 3/8 × 12 13/16 in.)
Genre: oil paintings (visual works)
Museum: Art Institute of Chicago

Tags

oil paintings (visual works)drawings (visual works)paintChicago World's FairsCentury of Progressgouacheprints and drawingwatercolorworld's fairsorganic materialcoating (material)paper (fiber product)water-base paint

More by Georges Rouault

Black Pierrot, plate two from Cirque de l'Étoile Filante

Black Pierrot, plate two from Cirque de l'Étoile Filante

Georges Rouault, 1935

Head of a Woman

Head of a Woman

Georges Rouault, 1935

The Dwarf

The Dwarf

Georges Rouault, 1937

Lawyer

Lawyer

Georges Rouault, 1891

Forever Scourged, plate three from Miserere

Forever Scourged, plate three from Miserere

Georges Rouault, 1945

Christ and Disciples, plate fifteen from the Passion

Christ and Disciples, plate fifteen from the Passion

Georges Rouault, 1936

And Veronica, with her gentle cloth, still passes along the way, plate 33 from Miserere

And Veronica, with her gentle cloth, still passes along the way, plate 33 from Miserere

Georges Rouault, 1945

The Flying Fish, from Reincarnations du Père Ubu

The Flying Fish, from Reincarnations du Père Ubu

Georges Rouault, 1928

Madame Carmencita, plate nine from Cirque de l'Étoile Filante

Madame Carmencita, plate nine from Cirque de l'Étoile Filante

Georges Rouault, 1938

The White Horse, from Saltimbanques

The White Horse, from Saltimbanques

Georges Rouault, 1925

Among so many different commands lies the beautiful task of sowing on a hostile earth, plate 22 from Miserere

Among so many different commands lies the beautiful task of sowing on a hostile earth, plate 22 from Miserere

Georges Rouault, 1922

With Tooth and Nail, plate 50 from Miserere

With Tooth and Nail, plate 50 from Miserere

Georges Rouault, 1945