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Temple of the Sun & Moon, plate two from A Select Collection of Views and Ruins in Rome and its Vicinity by James Merigot — VisualArtsDB
Temple of the Sun & Moon, plate two from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot
1796
Medium
Hand-colored aquatint on paper
Dimensions
Sheet: 33 × 44.8 cm (13 × 17 11/16 in.)
Genre
aquatint
Museum
Art Institute of Chicago
Tags
aquatint
print
prints and drawing
paper (fiber product)
More by James Merigot
Titus's Arch, plate ten from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
The Arch of Dolabella, plate thirty-five from the Ruins from the Rome
James Merigot, 1797
Temple of Antoninus and Faustina, plate thirty-six from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1797
Temple of Fortuna Virilis, plate thirty-four from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1797
St. Agnes's Church, plate eight from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
The Temple of Peace, plate nine from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Arch of Pantani, plate thirty-seven from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1997
Temple of the God Rediculus, plate five from A Select Collection of Views and Ruins in Rome and its Vicinity Temple of the God Rediculus, plate five from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Bridge of Varus, plate twenty-eight from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
Ponte Nomentano, plate twenty-seven from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
Tomb of Horath, plate six from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
The Gate of St. Sebastian, plate seventeen from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796