Styles Genres Museums Artists Support

An open visual arts database with 1,000,000+ artworks, 85,000+ artists, and 1,800+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

Portfolio Cover, from Multiplizierte Kunst by Joseph Beuys — VisualArtsDB

Home
Woodcut
Portfolio Cover, from Multiplizierte Kunst

Portfolio Cover, from Multiplizierte Kunst

Portfolio Cover, from Multiplizierte Kunst

1973–1974

Medium: Portfolio cover
Dimensions: Closed: 52 × 67.2 × 1.2 cm (20 1/2 × 26 1/2 × 1/2 in.)
Genre: Woodcut
Museum: Art Institute of Chicago

Tags

printprints and drawingwoodcut

More by Joseph Beuys

z.B. Skulptur.

z.B. Skulptur.

Joseph Beuys, 1978

For the lecture: The social organism - a work of art, Bochum, 2nd March 1974

For the lecture: The social organism - a work of art, Bochum, 2nd March 1974

Joseph Beuys, 1974

Untitled

Untitled

Joseph Beuys, 1962

Deutsche Zeitung. ‘Was Kann ich Tun?’

Deutsche Zeitung. ‘Was Kann ich Tun?’

Joseph Beuys, 1972

‘nothing against modern playwrights but who turned a Threepenny Opera into a million dollar hit.’

‘nothing against modern playwrights but who turned a Threepenny Opera into a million dollar hit.’

Joseph Beuys, 1984

Joseph Beuys and Jonas Hafner. Galerie Beck, Augsburg

Joseph Beuys and Jonas Hafner. Galerie Beck, Augsburg

Joseph Beuys, 1984

Electric Sphinx

Electric Sphinx

Joseph Beuys, 1977

Weird Sister

Weird Sister

Joseph Beuys, 1953

Runrig

Runrig

Joseph Beuys, 1962

Untitled

Untitled

Joseph Beuys, 1965

Beuys: Plakate. Bayerische Staatsbibliothek, Munich

Beuys: Plakate. Bayerische Staatsbibliothek, Munich

Joseph Beuys, 1991

Three Part Drawing for the ‘The End of the Twentieth Century’

Three Part Drawing for the ‘The End of the Twentieth Century’

Joseph Beuys, 1983