
Hans Holbein’s famous Dance of Death woodcut series of 1538 (augmented in 1545) illustrated the medieval trope of the inescapability of mortality, regardless of one’s social rank or piety. These later etched copies by Hollar (1920.2251 and 1920.2259) capture the flavor of the original, showing a Landsknecht at two customary activities: hoisting his two-handed sword on the battlefield and gambling indoors. The fact that the soldier’s opponent in both cases is Death personified does not bode well for his chances.