Max Beckmann

Leipzig, Deutschland · b. 1884 — d. 1950

Modern European Painting and Sculpture Modernism Prints

Max Beckmann German, 1884-1950

Timeline

Born 1884 — Died 1950

1880s

Begonnene Löwenstudie (Partial Lion) [p. 35]

Mann mit Schurrbart und Mütze im Profil (Man with Moustache in Profile) [p. 29]

Männliche Bildnisstudie (Male Portrait Study) [p. 20]

Skizze und leerer Rahmen mit Bezeichnung (Sketch and Empty Frame with Inscription) [p. 37]

+645

1890s

Woman in Profile to the Left

Boy Seated on Rock with His Hand on His Chin (R. Diestelmann)

Two Studies of a Left Hand

Boy in Profile to the Left

+79

1900s

Soldier Aiming His Rifle

Man Wearing a Hat in Profile to the Left

A Man and a Woman Conversing Outdoors

Three Ladies Seated

+85

1910s

Beckmann Sketchbook 2

1911

Christ and the Sinner (Christus und die Sünderin) from Six Lithographs to the New Testament (Sechs Lithographien zum Neuen Testament)

1911

Throwing Dice before the Cross (Die Würfler unter dem Kreuz) from Six Lithographs to the New Testament (Sechs Lithographien zum Neuen Testament)

1911

The Sermon on the Mount (Die Bergpredigt) from Six Lithographs to the New Testament (Sechs Lithographien zum Neuen Testament)

+197

1920s

Woman with Candle (Frau mit Kerze)

Stadtnacht (City Night) (plate 2) from Stadtnacht (City Night)

Dancer and Man with Top Hat

Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

+228

1930s

Nude Figures

Beckmann Sketchbook 40

Ilonka

Beckmann Sketchbook 41

+35

1940s

Study of Two Heads

Johannes, Offenbarung, Kapitel 11, Verse 4 und 5 (John, Revelation, Chapter 11, Verses 4 and 5) (plate, page 38) from Apokalypse (Apocalypse)

Johannes, Offenbarung, Kapitel 19, Verse 19-21 (John, Revelation, Chapter 19, Verses 19-21) (plate, page 66) from Apokalypse (Apocalypse)

Johannes, Offenbarung, Kapitel 7, Verse 16 und 17 (John, Revelation, Chapter 7, Verses 16 and 17) (in-text plate, page 27) from Apokalypse (Apocalypse)

+139

1950s

Falling Man

Head of a Man

Dancing Figures

Works

1,440 artworks

Zirkusnummer mit Raubkatzen (Circus Act with Cats of Prey) [p. 2]

, 1884

begonnene Elefantenstudie (Initial Sketch of an Elephant) [p. 29]

, 1884

weibliche Bildnisstudie (Female Portrait) [p. 15]

Max Beckmann

Timeline

Works

Zirkusnummer mit Raubkatzen (Circus Act with Cats of Prey) [p. 2]

begonnene Elefantenstudie (Initial Sketch of an Elephant) [p. 29]

weibliche Bildnisstudie (Female Portrait) [p. 15]

Paar und Bedienung in Gasthausstube (Couple and Waitress in a Restaurant) [p. 5]

Paar am Caféhaustisch (Couple at a Table) [p. 3]

Junge mit Kappe (Boy with a Hat) [p. 5]

Zwei mehrfigurige bezeichnete Skizzen (Two Sketches with Inscriptions) [p. 32]

Häuserdach (Rooftop) [p. 20]

begonnene Skizze, wohl zweier Köpfe (Initial Sketch) [p. 15]

Detailstudie eines Violoncello (Study of a Violin) [p. 3]

Fünf Frauen an einem Tisch (Five Ladies at a Table) [p. 21]

Weibliches Bildnis (Portrait of a Lady)

Reclining Woman in Lingerie

Drei balancierende Figuren (Three Figures Balancing) [p. 13]

Orchester (Orchestra) [p. 61]

Begonnene Studie (Sketch) [p. 27]

Zirkusnummer mit Schlange (Animal Trainer) [p. 11]

Pferd und Notizen (A Horse, Notations) [p. 35]

liegende Frau und sitzeder Mann (Reclining Female and Seated Male) [p. 19]

Skizze mit Bezeichnung (Sketch with Notations) [p. 1]

Frau mit Kopftuch in Türöffnung (Woman with Headscarf in a Door) [p. 21]

Mittelalterlich gekleideter Mann, Trompete blasend mit Pferd (Medieval Trumpeter by His Horse) [p. 1]

Zirkusnummer mit Elefanten (Elephants Performing) [p. 75]

Vergewaltigungsszene (Rape Scene) [p. 30]