A White Line Border with Two Cartouches: "A Satyr Sacrificing a Ram," and "The Choice of Hercules"
Officia M.T.C.
Loggia with Satyr Terms and a Garden
Dedication
Interior with a View into a Second Room with Chimney
Perspective View of a Street
Descriptio publicae gratulationis...Ernesti Archiducis Austriae
The Site of the Bed and Oratory of Saint Francis (Luogo del 'letto' e dell'oratorio di San Francesco) [plate R]
Apparition of the Virgin in the Beech Tree (Faggio dell'apparizione della Vergine) [plate P]
The Rock of Brother Wolf (Sasso di fra' Lupo) [plate V]
Spring of Saint Francis (Fonte di San Francesco) [plate B]
Relation en Forme de Journal du Voyage et Sejour que le Serenissime et Tres-Puissant Prince Charles II Roy De La Grand Bretagne
Musculorum Tabula VIII
Musculorum Tabula IV
Head of a Man
Iconografica Rappresentatione della Inclita Città di Venezia (Iconongraphic Representation of the Illustrious City of Venice)
Recueïl de Lions: Dessinés d'après nature par divers maitres et gravés par B. Picart (Collection of Lions: Drawn from nature by Various Masters and Engraved by B. Picart)
Decoupage Album
Raccolta di Varie Favole delineate ed incise in rame (Tome 1-3)
Raccolta di Varie Favole delineate ed incise in rame (Tome 4-6)
Il Trionfo della Fedeltá. Dramma Pastorale Per Musica Di E.T.P.A.
Fragments choisis dans les Peintures et les tableaux les plus intéressants des palais et des églises de l'Italie (Fragments chosen from the most interesting paintings and canvases of the palaces and churches of Italy)
Gravure en Maniere de Crayon: pl. VIII
Gravure en Taille Douce: suite de la pl. I
Imprimerie en Taille Douce: pl. I
Gravure en Taille-douce: pl. III
Arabesques Mythologiques
Über das Geistige in der Kunst (Concerning the Spiritual in Art)
Le Chef-d'oeuvre inconnu
Peintre et modèle tricotant (Painter and Model Knitting)
Peintre devant son chevalet avec un modèle aux longs cheveux (Painter at His Easel with a Model with Long Hair)
Peintre avec deux modèles regardant une toile (Painter with Two Models Looking at a Canvas)
, 1497
, 1531
, 1560
, 1595